5/29/2023 0 Comments Edwin s porter![]() ![]() He left in 1909 and took senior production posts with a number of new independent companies.Ħ years later, in 1915 Porter returned to his first enthusiasm - projectors which remained with for the rest of his life. Edwin Stanton Porter was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison. The film benefited from a strong storyline and well composed and sophisticated camera work and editing that helped reach a climax.Īlthough the film is not the first western, it was the first epic western, with a cast of 40 actors.ĭuring Edison's time he made many films for the company and was the mainstay of their film production for over 5 years. Porter was convinced that the audience reaction that he had discovered was a new way of telling stories and developed his ideas the following year with the release of The Great Train Robbery, classed as the most influential film of the decade. ![]() USA 1905 'Porter, like other filmmakers of the pre-1908 period, often portrayed outlaws who threaten society as members of fringe or outcast groups, with such characterization serving as motivation for their illegal activities. Life of an American Fireman combined stock actuality footage of fires, firemen and fire engines with dramtised scenes which Porter shot, the juxtaposition added tension and drama in a contemporary setting, unlike Melies whose filmatic drama came from fantasy settings. The Watermelon Patch R: Wallace McCutcheon, Edwin S. He combined documentary footage with his own footage in films. In 1902 he directed The Life of an American Fireman. Edwin Stanton Porter was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison Manufacturing Co. Being a director he made some of the greatest films in 19. His movies also were good because they told a story by editing the move. He was a film pioneer because he made people come back to the theaters and start watching movies. Porters skills with editing and methods of projection were used to great effect in some of his earliest films. Porter was both a film pioneer and director. He was one of the first directors to shoot at night in his 'Pan-American exposition by night'. Porter was a fan of Melies films and tried to emulate the tricks and photography which Melies introduced. In the 1900's he returned to the Edison company where he worked as a producer and director at Edison's East 21st Street Skylight studio. He attempted to create his own camera and projector. One of Porters main duties included the illegal duplication of Melies Films. He joined the Vitascope Marketing Company in 1895 where his experience with electrical engineering was called to use. He created over 250 films and one of the most famous Life of an American Fireman - 1903 and The Great Train Robbery - 1903 Early American Film Pioneer and a famous director for the Edison Manufacturing Company. porter, in full edwin stanton porter, original name edward stanton porter, (born april 21, 1870, connellsville, pennsylvania, u.s. ![]()
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